Implantation Bleeding More With Twins

Review: Purple The sea

Auditorium Presented the first Italian film in competition. Produced by Cucinotta, who also cut a small role, and distributed by Medusa, the film is inspired by a novel Maoirca Giacomo Pilati, "King Shit", which tells the story of homosexual love and the two young women Sicilian island of destination 800. approach to the issue and the entry of this in a patriarchal iperconservatore and were not the most convenient, and indeed the film of Majorca crumble soon. The story, although taken from an episode of (say) really happened, is stifled under the weight of countless superstructures that are created above, once again the complexity of a novel plan to ruin the film. The interesting ideas out there, see the bold directorial choices expressed by non-conventional shots and little television (risk having averted the militancy of the author in the small screen) and the soundtrack of Gianna Nannini, and actualizes that stains the nineteenth century costume. But not enough. voluptuous choices that accompany any relationship between the two, a good Solarino, which comes out in the long run, and un'impacciata Ragonese, ball less than "whole life ahead," clog the taste of the beholder film, paralyzing the path undertaken within the sub-categorization of hypocrisy popular and all of a melodrama ambiguously realized. A melodrama in which the motto is: "There's only one way to love yourself" (Angela Sara). On the other hand the sudden change of course that "Viola dues lives, not get ahead, leave the field to the theater of the paradox, arouses the curiosity of the most careful and increases the regret. The real strength of the whole project would have been to analyze the reactions and social relationships that a time bomb as the relationship between Angela (Solarino) and Sara (Ragonese) and its consequences could have. This is especially true in an environment like that, and make better use of the setting of the island, which helps all right in these experiments (Abrams docet), would strengthen the system metaphor and the success of the film. But what remains is a melodrammone too elaborate living above interpretation of the singularity and Solarino still recognizable theme, all delighted with some erotic scenes that highlight the impact fiscihe sinuosity and roughness of the two protagonists, models beauty of the antithesis between them.

Mp News Solarino meets Valerie, Isabella Ragonese, Donatella Majorca, Maria Grazia Cucinotta and Gianna Nannini

(the director) The desire to be an amicable love, which in the end turns out to be the only sincere feelings, what is due?

Donatella Majorca: "Purple sea is a great story of love and freedom, the freedom to choose whom to love. Angela is a woman who falls in love just will not all women. And That's why the history between them, being universal, was present then and is relevant today.

Then I was interested in exposing a latent virus in humans: the racism and violence against different. Another aspect that makes the actual movie. "

(actresses) How have you approached your characters are not easy Have you ever thought of exchange?

Valeria Solarino: " Do not I never sold my role, I was strongly attached to the character of Angela. I've always had in mind one thing clear: Angela Sara loves at any time in history. So here we speak of love as it should be considered: two human beings come together without having to fall into clichés established or having to fill the tables have already been written. "

Isabella Ragonese: "The character of Sara, I worked and exhibited in a less obvious than that of Valeria. I had to take a path more soottile before shooting I tried to forget everything related to current events, I thought of a girl normal naive and trying to understand what could take her, what she was in love.

And I think Sara falls in love with love that Angela feels for her, rather than Angela herself. The film is about how powerful a when passion is real. "

(the manufacturer) How to comment on the rejection of the law against homophobia?

Maria Grazia Cucinotta : "I never talk politics, talk about it all today and it's so serious because it confuses people. I just do movies, and so I face the problem. Doing my job and pursuing a films of the genre. To make it I got a lot of doors in my face and I thank fortmente the Medusa who believed in the project. "

(on the soundtrack) Did you have fun in composing the soundtrack for Purple sea?

Gianna Nannini: "For me, when I make a soundtrack is always important to speak with the director. This time given the potential environment characterized wanted to get out by the commonplace of popular music, and since today the rock and popular music par excellence for me the transition was very close. I also wanted to go personally to the place where it happened and everything was shot. In the end I put the guitar sounds very acidic, which belonged to the place and its flavors, I sampled being there. "