Continue the course of the Festival in Rome to present to the public duets (or duels?) exception, the chairs of the Hall Petrassi who last year were reserved for Toni Servillo and Carlo Verdone pass this year the pair of authors Gabriele Muccino - Giuseppe Tornatore. A pleasant conversation, sometimes a bit 'tedious in others, goes through the most memorable scenes from their films, which were chosen each other, the work of the two. Two visions of cinema formally different, basically no. Both lovers of choral participation of a diverse look and always in motion, the scenes of "Malena" and "Come te nessuno mai" proves its effectiveness, meet without clashing. Nevertheless, the conditions had seemed different, ready-e Muccino attacks Tornatore: "You are redundant in your films, at the end in that chaos does not reach the heart of the question that you want to tell." And Tornatore, less fizzy and histrionic fellow Roman stuttering in speech, but with rhetoric from old fox, dry retorts, "I say it in so many, never thought it's just my style?". Waters, alas, becomes quiet soon. The couple cradling each other, for harping on the questionable "Baar" on one hand, doing good by the other seller. Tornatore, even renamed Peppuzzo Muccino occasion, describes the film of the Roman Empire: "His constant talk about so I think it is effervescent, sparkling, different generations. It seems to me that all the protagonists of his film to go into what is also the title of one of his films: The Pursuit of Happyness." It is really close to what it was for Italy Muccino, however, soon forgetting what he is doing instead of overseas, where it agrees to stun the audience with all the anxieties of Hollywood Mr. Will Smith. In films from the Sicilian is evident, too, the continuing tribute to the cinema, "Cinema Paradiso" and "The Starmaker" at all, while Muccino in this aspect is not found, even if he is called , entertaining the public, a "who knows what and who steals. Although it takes to steal art." include scenes from "Seven Pounds" and "The Pursuit of Happyness" you come across an exceptional actor Polanski for a sequence, that of suicide Depardieau, a "mere formality". Wonderful opportunity, given the recent events related to the incarceration of the Polish genius, Tornatore for correcting the shot to the statements he left days ago: "Many have misunderstood the meaning of my words in his favor. I did not want to endorse the 'rapes copyright ', as some have wanted to play, but only to show my affection for Roman. Justice must take its course, but so far things with him went in a somewhat 'strange. "And Mario Sesti, and the whole room, it is ideally close around Roman, who will end his" Ghost "in prison for presentation at the Berlinale 2010. Again the 'encounter between two great Italian cinema of today has a center, largely because the real merit of a project of this type is to convert casual viewers into (new) movie buff, and this is always good for us, letting it into unknowingly in a mindset that did not have before.
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