Clooney enchants the Festival with a character that is sewn on, and everyone likes the movie
again in Rome, yet a full immersion in the microcosm of unconventional characters for Jason Reitman, if it is true that three signs are a test, after "Thank You for Smoking" and "Juno" movie buff says softly to the world to be good. And it is for many reasons, to begin with because he always give the best actors, Aaron Eckhart first, then Jennifer Paige, still cradling and reap the benefits of their experiences reitmaniane. It is because it generates its register bittersweet laughter smarter, brush black tales never redundant. Today
its prey is the profound crisis of U.S. companies that are forced to reduce drastically staff, should rely on professional headhunters. Unscrupulous people homeless, devouring kilometers to lay off the poor wretches. And the team of middle-aged Hollywood actors no one better than the languid-eyed boy George Clooney could not embark on a role like this for granted. And then the monster soon Reitman takes shape, a man of loyalty cards attached with airlines, rental car, the big hotel chains (and hence the product placement is wasted), who lives his life, empty, redundancies between lightning and conferences in which to promote a philosophy of life of its own and somewhat depressing. All this between sequences that wink laugh ever granted.
Reitman confirms skilled trainer of oddities, the movie plays and entertains, thanks to share this with Clooney, it is sometimes even compelling, with an eye to current attacked the United States, and a breach of a companies for some time, Obama aside, seems to have reached a saturation point of concern.
E 'here perhaps the greatest merit of "Up in the air", in the frantic bustle of the city and succession of States, the eye of the protagonist through the length and breadth of Pese a whole, and the author, in parallel, it should be at the bottom of a sociological system on the common denominator.
The film does not end here, the characters find themselves unwitting passengers on a route that will (almost all) to a resolution, or at least mature, which will mark the continuing of their lives. And Ryan (Clooney) will be the glue, the deus ex machina that will start every internal process to people who work with him, finding the bitter realization that the curtain closes.
Everything is fast, the pace is pressing the viewer. A film to see, a gem for the Rome Film Festival.
0 comments:
Post a Comment