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Review of Tetro - The return of a master


Francis Ford Coppola returns to sign a film entirely in more than 35 years from "The Conversation". "Tetro", filmed and written by the director now seventy years old, is a film in which he pours so much of what the family and the arts are meant for him, from the Italian origin (omni) presence of musicians 'home' .

Coppola tells us with an air of a theatrical family crossed by conflicting feelings, and often unsustainable. Benjamin, a few days after his eighteenth birthday, arrived in Buenos Aires in search of his older brother has not seen for years. Its not a simple physical research, but especially within the intimate analysis ambiguous and schizophrenic personality of Angelo, which has become Tetro (short Tetrocini, their last name). A poet cursed vivacchia in a deprived environment in the legendary bohemian district of La Boca, the heart of Argentine culture in the '70s, and that avoids the outside world into his work incomplete and never published outside of the classic heartache ' artist.


The meeting between the two will be a showdown, the decisive battle in a process that draws on both Greek tragedy and classical theater. The theater, writing, bohemian spirit that imbues the characters present to an ideal stage where Coppola to stage a film masterfully conducted, including a flashback to the present indefinite and well introduce the figure of the father-master, and sometimes even surprising from the point of view visually, through the use of a beautiful black and white and had an extraordinary straziatissimo and Vincent Gallo in the role, really right for someone like him, Tetro. On all of the inseparable assembly impeccable Walter Murch, Academy Award twice ("Apocalypse Now" and "The patient English "), which proves once again, after" The other youth, "he had digested better than most the change of guard between analog and digital.


A little 'novel of formation, there are all the classic figures such as 17 year old virgin American clumsy' weaned 'from a busty girl and her aunt Argentina (see "The Dreamers"), a little' crossroads of 'unfinished middle-aged artist, "Family Secrets" is undoubtedly a powerful film, epic, which navigates between the surreal and the real, in a timeless dimension. A renewed Coppola returns to the star of a movie theater majestic, made of images and great feelings.

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The Extra section of the Rome Film Festival presents "Human comedy in Tokyo"

"Human comedy in Tokyo" is a delicate fresco, with peaks poignant, on the situation of women of Japan's capital. The director uses a typical log cinemtografica east, crashing the basic concept of the long faces of the protagonists. Short acceleration times between locked and also spirits, Koji Fukada door to hand the viewer through all three episodes linked together by a detail, the last of which will arise as a moment of the entire solver tensions and ambitions of the first two.

The city, its mostly residential suburb, is covered with casual eye, told by the narrative details, but also from the body. Will in fact be the mirror of social loneliness that you will move, as souls who repeat a dance lonely longing gaze and interest of others.

In fact, "Human comedy in Tokyo" wants to first tell the people that make up the sun for most of the social fabric of a megalopolis like Tokyo swirling, the unrequited love, false ones, friendships and false reports of an evening.

The experiment boldly presented from good breeders Extra is produced by a little commercial appeal, both in duration, almost two and a half hours, which for stylistic. A film that will hardly be able to be seen in Italy, and that, even if seen, would welcome a few followers.

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The Festival closes with Celio Under the Blue, the (multi) colored documentary by Edward Winspeare

The documentary "Under the Celio Blue" ended the fourth edition of the Roman Empire. Dedicated to closing a small sociological phenomenon that is this asylum, Celio Blue. An almost idyllic place where masters of unconventional children of immigrants grow up, and also of mixed couples of Italian, a place where there are no classrooms, no desks or books. Teaching is something deeper, visceral, the Celio azure allows children to discover First of themselves, then they can happily compare with peers who come from all over the world.

Winspeare Edward returns to the documentary with a fresco that exudes humanity and love of life from the very earliest jokes, the constant 'lessons' of games and jokes have made a surprising model of integration and acceptance of different. All those who work there are the first to be fully integrated with the students, but especially with parents, in fact the work you do is first of all with them, which will be a fundamental part, almost picks, the path of children. An education-game start to the morning when the kids wake up and finish before falling asleep.

Romania, Morocco, Senegal, Armenia, Peru will meet in this tiny corner of the world in the center of Rome. A forgotten corner of the institutions, which now struggles with the cuts that the reform has laid down, constantly struggling with the lack of funds and building the structural flaws that make it more difficult.

path Winspeare incapperà also in the strong personality of the educators-teachers, which will be described with admiration epic, equipping them with an aura of personality that exudes a poetic awareness of the other incessantly. And during this beautiful road that is "Under the Blue Celio" The documentary will entertain more than expected, the public. You quickly lose count of the hilarious moments that a little 'kids, a little' teachers, thanks to the excellent choices Winspeare, put on it. The eyes of the frightened children from games, or perhaps stunned by this tsunami of vitality that asylum is for their young lives, carefree games of middle-aged men who have dedicated body and soul to the cause, have the background of stable an unconscious society, where more experiments like this are set aside for fear of an absolute perfection and suspects that causes really existed.

The documentary film is a scream of Puglia life that shatters the glass of a thin and not very multicultural hybrid societies still in the soul, a splash of rainbow in the clouds at all Italian, with tensions between religious and racial communities continue to sow ignorance and ignorance.

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Here are the winners of the Rome Film Festival: Brotherhood and Giorgio rights are a full house for the awards for Helen Mirren and interpretations

has closed its fourth edition of the Rome International Film Festival with the victory, well deserved, of "Brotherhood", brave Danish film that politely tells the story of homosexual love was born curiously, in a group of neo-Nazi movement. A film that cuts through a difficult subject in a formal register impeccable. The Jury of the Festival is the center, and chooses the best among the nominations.

The director also reveals an interesting background: "We were all very scared while filming the movie, because neo-Nazi presence in those territories is very strong."

The public instead gave preference to "The man who will" George Straight, who was also awarded the Silver Marcus Aurelius Jury. The film tells the realistic tones Marzabotto massacre in '43. The director says: "I hope that this victory will give an important signal, and is a good omen for the future of Italian cinema, it's really nice when there is an exchange of this kind with the public and regsitra such an appreciation. "

The winners of the award for Best Actor instead, Marco Aurelio silver, and, not surprisingly, the deep Sergio Castellitto of" Lift your head "in the shoes of a single father who goes to all colors, the best performer but has been the irrepressible Helen Mirren for "The Last sation" by Michael Hoffman.
The Italian interpreter commented: "Every award is a gift, but also a double edged sword: a reward and a responsibility to always do good, if not better. I sincerely hope that this award will bring good luck to this film, due out Nov. 6, and around which there is already great expectations. Now I run in Tuscany where I'm making a film in which actor and director, a hilarious comedy with Laura Morante, Barbara Bobulova and the return of the legendary Enzo Iannacci.

Finally the legendary Meryl Streep, undisputed star of the award ceremony and this entire year, the already announced to Marcus Aurelius career. sessentenne actress thanked the festival and the city moved.

Other awards:

- Marco Aurelio Silver for Best Documentary Film The other section of The Extra: "Sons of Cuba" by Andrew Lang
- Marcus Aurelius Alice nela city: "Vegas" by Gunnar Vikene.

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Castellitto Interview with Coen Brothers - In Rome to present

last Day Festival in Rome comes a pair of brothers, most beloved directors of America. The Coen. They have the film out of competition "A Serious Man", set in the Jewish community of Minnesota in the '60s. All this calls to mind the origins of the Coen: "We just shot the film in places where we grew up - says Ethan - but despite this there is nothing in the history of autobiography. It's all fiction."

And on the Jewish origins of the Brethren focus throughout the conference, very subdued. The usual 'known' part in the attack so absurd to ask the directors what they thought the Professor of Wisdom, Antonio Caracciolo, who carries out his own theories about the Holocaust denial through his lectures and his blog. Ethan rightly surprised, answers: "It seems a very strange thing, especially to happen in an academic context. But to be honest I do not know what to answer, because nothing really has nothing to do with our film."

The conference continues to beat the iron, now hot on the Jewish question: "The Jewish community - Joel says - it was very important for the film, has marked its genesis, we wanted to do a film about time in a precise and well defined. To do this we had a clear idea of \u200b\u200bthe community where we grew up in the 60s in the Midwest. "
And that representation creates hilarious moments in" A serious man, "situations may actually experienced by the authors, Joel said:" We have always been inspired by someone we knew, we put them all together and we created hybrids. Actually this is not the only film in which we did, we drew inspiration from people you know our whole career. "

Such a 'rage' to a film community as powerful and well characterized like the Jewish in the United States could turn up their noses more than anyone: "In the United States - says Joel - The Jewish community is very sensitive to the way it is described by the media. But most of the reactions on their part has been positive. However, it is impossible to tell when a community, not create some discontent. "
Ethan says to them:" It 's also true that the more radical community of Orthodox Jews do not go to the cinema and therefore can not comment. "

In film there are many local actors, is a feature that returns to the filmography of the Coen brothers: "In this movie yet - Joel - many players are in Minneapolis, and thus purely local actors. For example Michael Stuhlbarg but grew up in California and lives in New York. So call it a good mix between local and otherwise. Michael was very good because he immediately realized that there are differences between the Jewish culture of the Midwest and the one that characterizes the communities on the coasts of the United States. "

In conclusion, the brothers are first questioned about the nature of their work , which would belong to the category, Ethan does not want to differentiate between 'tragedy or comedy': "We never thought that way, here we simply try to be truthful and tell the story we wanted to tell. It is then up to the viewer and the people have the reaction they want. "

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A serious man and his legend Emitt Rhodes in "The One man Beatles" mockumentary amazing Italian News

A young Italian boy, Cosimo Messeri, having stumbled almost by chance in a vintage vinyl, falls in love with music by Emitt Rhodes. Who is it? One would wonder. Lawful demand to which the answers to the great documentary.

is a musician from California, with the ball in British pop, which took its first steps as a leader of the Merry-Go-Round, and later became a successful solo completely disappeared from circulation in '75. A mysterious disappearance at least, his was a talent of iron, the music is the mission of a life.

All this has helped to blur the legendary image of a man whose voice quality was almost identical to that of McCartney, even leading some to swear that the music of Rhodes were nothing more than extra material of the work of four cockroaches in Liverpool. A legend that preceded his music, now many thought had never existed. But his talent was crystal clear. Angelic voice and a versatility of multi-instrumentalist, he played every instrument recorded in pieces, hence the title (perhaps a little 'wink) documentary.

The documentary presented at the Festival is a work of an hour that will astound you the ability to tell the humanity of a character so unique, moving between familiarity with unconventional tones and looks more intimate. Among the intangible mystery of his disappearance from the scene and rarefied the look of a bear now harmless. The unfolding of "The One man Beatles" will follow the curious existence of Emitt, giving it a mature prophet karma music he seems to have touched throughout his life, without ever managing to hold it between your fingers holding it tight.

The images shot by a young filmmaker, including interviews with 'friends' of past and present of the artist and exceptional pills Rhodes today, viscerally will merge with the tracks of the singer and the film footage, a gem about the performance of the show Sir David Frost. One way that recalls both the joke, with the proper proportions, by James Mash, "Man on wire", two men, Philippe Petit and Emitt Rhodes, who lived mainly against the system, on the edge of a social life never really accepted by them ethereal souls.

"The One man Beatles" is a relaxed tribute to the music, the purism of an extremist who has enjoyed the fame without getting caught. The final mockumentary could easily be summed up in one sentence of Chekhov: "I take with him ... Our time is running out, we are no longer young. That at least the end of life does not need to hide or lie ... I have fifty-five, is a little late to change my life, "or maybe not?

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MP meets Giorgio Rights, Alba and Maya Sansa Rohrwacher for "The man who will be" The man who will

George Rights and the cast of his film "The man who will" presented at the International Rome Film Festival intense and realistic work on the massacre of Marzabotto.

(the director) Why did you choose to shoot in dialect? Do you not think that will be a difficulty for the dissemination of the film?

Giorgio Rights: "My choice to shoot in Bologna is part of an ancient general logic to create a strong involvement and realism to bring back the audience directly at the time. In fact, we soon realized that the dialect of Bologna drew too much current 70s and truck drivers, and therefore had a value significantly different from the situation in the mountains in 1943, and then we played the card of old Bologna. I must say that all the actors were great, in fact I met them two weeks before starting to turn and they gave me all their assent. I find that the use of dialect to help us take a step back in time, you laugh a taste and a sound that the Italians have lost. "

The film has a strong visual impact. How did you get?

George Rights: "The visual work we have done has many sources. He was born in the first place the photographs in b / n of the time. Then we have referred to a series of color photographs made by soldiers Americans. Finally there was an observation of artistic production on the 800-900 campaign. All these elements have merged and I then used my instinct for the shots. " What historical research has been done? George Rights: "We did a search on the above facts. I have described those guys Nazis, and they were all very young, this is proof that people were born and grew up under the Nazi regime. Then formed in a certain way, were for education led to consider the different, the Italians in this case, as a subspecies, as if they were subhuman. For them it made no difference to kill a cow, a woman or a mouse. The film has some historical basis very careful. Then I tried not to fall into stereotypes, things that we tell are all more or less happened, what interested me most was to tell the drama of men who kill others with the utmost naturalness.

In the film partisans are called rebels, because that choice?

George Rights: "Rebels was the standard way to define who was against the fascists and the Germans. Who was there then and rebelled against the regime. Basically it was a slang term without a significant political weight."

distribution What will the movie?

George Rights: "It will be distributed by Mikado (released Jan. 29 note) and of course there is a specific project related to projections for the schools. I survived but have not yet seen the film, there will be screenings in the area, there certainly will be a special care. Intramovies then is our seller for overseas and has already found interest. "

(actresses) Tell us about your transformation in farming in those years.

Rohrwacher Alba:" The first thing that pushed me was the confidence that George had in us. He saw in us a capacity to merge with the faces he had chosen. Then of course there was specifically a great job with the costumes, makeup and hair, which helps an actor to become something else. Me and Maya, we mix well with people with whom we worked, we wanted above all to join them to tell a story that we felt the need to be told. "

Maya Sansa: "In addition to what Alba said there was a great job of costume, the makeup artists and hairdressers have been very careful to play like that, even bringing back the dirt, not was a lack of hygiene, but a real lack of conditions. Then the clothes were oversized and a bit 'arranged, because there at the time they are passed from mother to daughter. Also the place where we lived during processing, who had a farm, it was very important to create the group and then there was this woman who taught us how to make bread, she worked all day through the fields and kitchen. We sent a working woman of great energy ".