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Review: Purple The sea

Auditorium Presented the first Italian film in competition. Produced by Cucinotta, who also cut a small role, and distributed by Medusa, the film is inspired by a novel Maoirca Giacomo Pilati, "King Shit", which tells the story of homosexual love and the two young women Sicilian island of destination 800. approach to the issue and the entry of this in a patriarchal iperconservatore and were not the most convenient, and indeed the film of Majorca crumble soon. The story, although taken from an episode of (say) really happened, is stifled under the weight of countless superstructures that are created above, once again the complexity of a novel plan to ruin the film. The interesting ideas out there, see the bold directorial choices expressed by non-conventional shots and little television (risk having averted the militancy of the author in the small screen) and the soundtrack of Gianna Nannini, and actualizes that stains the nineteenth century costume. But not enough. voluptuous choices that accompany any relationship between the two, a good Solarino, which comes out in the long run, and un'impacciata Ragonese, ball less than "whole life ahead," clog the taste of the beholder film, paralyzing the path undertaken within the sub-categorization of hypocrisy popular and all of a melodrama ambiguously realized. A melodrama in which the motto is: "There's only one way to love yourself" (Angela Sara). On the other hand the sudden change of course that "Viola dues lives, not get ahead, leave the field to the theater of the paradox, arouses the curiosity of the most careful and increases the regret. The real strength of the whole project would have been to analyze the reactions and social relationships that a time bomb as the relationship between Angela (Solarino) and Sara (Ragonese) and its consequences could have. This is especially true in an environment like that, and make better use of the setting of the island, which helps all right in these experiments (Abrams docet), would strengthen the system metaphor and the success of the film. But what remains is a melodrammone too elaborate living above interpretation of the singularity and Solarino still recognizable theme, all delighted with some erotic scenes that highlight the impact fiscihe sinuosity and roughness of the two protagonists, models beauty of the antithesis between them.

Mp News Solarino meets Valerie, Isabella Ragonese, Donatella Majorca, Maria Grazia Cucinotta and Gianna Nannini

(the director) The desire to be an amicable love, which in the end turns out to be the only sincere feelings, what is due?

Donatella Majorca: "Purple sea is a great story of love and freedom, the freedom to choose whom to love. Angela is a woman who falls in love just will not all women. And That's why the history between them, being universal, was present then and is relevant today.

Then I was interested in exposing a latent virus in humans: the racism and violence against different. Another aspect that makes the actual movie. "

(actresses) How have you approached your characters are not easy Have you ever thought of exchange?

Valeria Solarino: " Do not I never sold my role, I was strongly attached to the character of Angela. I've always had in mind one thing clear: Angela Sara loves at any time in history. So here we speak of love as it should be considered: two human beings come together without having to fall into clichés established or having to fill the tables have already been written. "

Isabella Ragonese: "The character of Sara, I worked and exhibited in a less obvious than that of Valeria. I had to take a path more soottile before shooting I tried to forget everything related to current events, I thought of a girl normal naive and trying to understand what could take her, what she was in love.

And I think Sara falls in love with love that Angela feels for her, rather than Angela herself. The film is about how powerful a when passion is real. "

(the manufacturer) How to comment on the rejection of the law against homophobia?

Maria Grazia Cucinotta : "I never talk politics, talk about it all today and it's so serious because it confuses people. I just do movies, and so I face the problem. Doing my job and pursuing a films of the genre. To make it I got a lot of doors in my face and I thank fortmente the Medusa who believed in the project. "

(on the soundtrack) Did you have fun in composing the soundtrack for Purple sea?

Gianna Nannini: "For me, when I make a soundtrack is always important to speak with the director. This time given the potential environment characterized wanted to get out by the commonplace of popular music, and since today the rock and popular music par excellence for me the transition was very close. I also wanted to go personally to the place where it happened and everything was shot. In the end I put the guitar sounds very acidic, which belonged to the place and its flavors, I sampled being there. "

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photoreporter boycott Paz Vega and Christopher Lee

The waters have now shaken the day 's opening of the Festival, and this time there were neither capricious nor the organizers of the stars in search of a vision for the festival move, but the photographers accredited to the event. A little 'journeyman, a little' artists have sent a blank first photocall of the festival, that of "Triage". The beautiful Iberian Paz Vega, the sacred monster Christopher Lee and the Serbian already won an Oscar for "No Man's Land Danis Tanovic were dry mouth, no flash and no appeal homemade like this," Paz faces a Soriso "are delighted with the morning star landed at the Auditorium of the very first Festival. Singles the news especially if one considers that the protagonists in the films in question are two war photographers sent in Kurdistan, which, holding at bay, do not make an idyllic view. Since its FPA (Professional Photojournalist Association) maintains, correctly, that the spaces dedicated to photographers on the number of these are unsuitable, and therefore the conditions in which they work are unacceptable. In the statement released photojournalist debunk the myth that "it would be to prohibit the Renzo Piano building for the photocall, recording the denial of the architects of the team plan .

Adapter Praktica Nikon

The magic of Moroccan music fills the first day of the Rome Film Festival

Presented at Rome Film Festival as a special screening of the documetario "Sound of Morocco" of Giuliana Gamba . A mockumetary gently outlining the country's music scene Moroccan, recounting the magic and magnetism inherited from tradition, through the trip to Zri Zrat, cradle of the oldest Moroccan music movement, and the reason for its growth and dedication through the meeting with Sayed Omar, leader of Nass El Ghiwan history, defined Scorsese on the 'Rollin' Stones of Africa '. The Cicero of this journey into the incredible sounds of a country like Morocco will Nour Eddine, who for twenty years living and playing in Italy, and that there will be a liaison between our way of thinking and that of a country fervent transformation. These excuses have helped the film to better tell the landscape today, passing through the cities of Tangier, Ouazzani, Meknes, Casablanca and Essaouira (which takes place every year the Festival of Gnawa music). A fresco complex and compelling, leaving the improvisation of the musicians involved, see the impromptu freestyle rapper from Casablanca and already cries of women in a traditional festival, the reins of the story of a people living a moment of great pride and vindication, drawing from yesterday to build an acceptable tomorrow.

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Review: Public Enemy

John Dillinger was in the U.S. Great Depression of the anti-hero of an entire people, the elusive bank robber, romantic, down on his knees, blow by blow, the very institutions that sank in those years the economy of a whole country. The man who sat alone in crisis and questioned the efficiency and effectiveness of the newly formed FBI. The one who challenged the entire system, scoring evasion and robberies from coast to coast.

Dozens of novels and production if they are employed before, but here we are faced with something other than viscerally.

This is the excuse, not least, from which part of Mann: a land where the director of content is moving to say the least at ease, that of the definition, almost epic, life, death and miracles of evil from the heart of 'gold. Assassins irrepressible charisma on screen, like Tom Cruise in Collateral, or the corrupt cops in Miami Vice, that the claim of planetary Michael Mann can see played by star of the first order.

This time it's the turn of a perfect Depp in his interpretation, that aside, at least until 2011, the role of attacker struck, and he finds the magnetic character of a gangster movie shot, obviously, to Mann. Just a couple

Depp-Mann will be the engine of "Public Enemies," to shoulder camera shots in the service of an interpretation of the old school, where not necessarily need to be transformed, fat, ugly, old or tease loves to draw public, critics and Academy.

The rest, though well cared for, here is an outline that becomes trivial: the expressionless Bale deliberately relegated to a secondary role, the description of an era too often now view the movies, soaking up the easy stereotypes that life by gentleman thief and women who shoulder great 'Edith Piaf' Marillon Cotillard hold out easily.

The jump in quality compared to a good film does do, granted, directing vein of Michael Mann, who sets up a classic gangster movie shot in a cinematic record that he, before and better than others, embodies. Experience of a realistic image, a photograph with natural pushed almost to the point, feeling that the new media like the Internet (see youtube) taught how to digest daily bread, but on the big screen distort the viewer. The plunge alongside Depp in turn, through an imaginary camera hidden in the dens of criminals of the '20s.

And then hats off to Mr. Mann, who, in the era of 3D to all costs, everyone shuts up and confirm the absolute master of the avant-garde cinema technology with high budgets. "Public Enemies" works across the board (cast, script, sets, costumes) is a gangster-movie tier, where it appears that the shot is one of the backstage of a self-addressed webtv on site and not to annoy the officer on duty majors (Universal).

VOTE 80/100

Thomas Ranchino