Friday, February 26, 2010

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Wrought iron: During a visit by Peter

Thursday, February 25 we were able to visit the laboratory of Peter Durante, a master of wrought iron associated Asslib. Peter, born in Melbourne, Australia, in 1955, since December 1970 in Italy. Self-taught, works in Volpago del Montello (TV).

When Peter books will be exhibited in the Observatory of Tourism Asslib Luzzo 7th Street, the historic center of Feltre; its participation is provided in the Exhibition of Tourism Belluno Dolomites, on 13/14 May 2010 in Pedavena Brewery.
E-mail: peterdurante@libero.it - Tel 340.2342992

Peter During the Vice-President Gianni Asslib Bertelle

Monday, November 16, 2009

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Review of Tetro - The return of a master


Francis Ford Coppola returns to sign a film entirely in more than 35 years from "The Conversation". "Tetro", filmed and written by the director now seventy years old, is a film in which he pours so much of what the family and the arts are meant for him, from the Italian origin (omni) presence of musicians 'home' .
Coppola tells us with an air of a theatrical family crossed by conflicting feelings, and often unsustainable. Benjamin, a few days after his eighteenth birthday, arrived in Buenos Aires in search of his older brother has not seen for years. Its not a simple physical research, but especially within the intimate analysis ambiguous and schizophrenic personality of Angelo, which has become Tetro (short Tetrocini, their last name). A poet cursed vivacchia in a deprived environment in the legendary bohemian district of La Boca, the heart of Argentine culture in the '70s, and that avoids the outside world into his work incomplete and never published outside of the classic heartache ' artist.


The meeting between the two will be a showdown, the decisive battle in a process that draws on both Greek tragedy and classical theater. The theater, writing, bohemian spirit that imbues the characters present to an ideal stage where Coppola to stage a film masterfully conducted, including a flashback to the present indefinite and well introduce the figure of the father-master, and sometimes even surprising from the point of view visually, through the use of a beautiful black and white and had an extraordinary straziatissimo and Vincent Gallo in the role, really right for someone like him, Tetro. On all of the inseparable assembly impeccable Walter Murch, Academy Award twice ("Apocalypse Now" and "The patient English "), which proves once again, after" The other youth, "he had digested better than most the change of guard between analog and digital.


A little 'novel of formation, there are all the classic figures such as 17 year old virgin American clumsy' weaned 'from a busty girl and her aunt Argentina (see "The Dreamers"), a little' crossroads of 'unfinished middle-aged artist, "Family Secrets" is undoubtedly a powerful film, epic, which navigates between the surreal and the real, in a timeless dimension. A renewed Coppola returns to the star of a movie theater majestic, made of images and great feelings.

Monday, November 2, 2009

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The Extra section of the Rome Film Festival presents "Human comedy in Tokyo"

"Human comedy in Tokyo" is a delicate fresco, with peaks poignant, on the situation of women of Japan's capital. The director uses a typical log cinemtografica east, crashing the basic concept of the long faces of the protagonists. Short acceleration times between locked and also spirits, Koji Fukada door to hand the viewer through all three episodes linked together by a detail, the last of which will arise as a moment of the entire solver tensions and ambitions of the first two.

The city, its mostly residential suburb, is covered with casual eye, told by the narrative details, but also from the body. Will in fact be the mirror of social loneliness that you will move, as souls who repeat a dance lonely longing gaze and interest of others.

In fact, "Human comedy in Tokyo" wants to first tell the people that make up the sun for most of the social fabric of a megalopolis like Tokyo swirling, the unrequited love, false ones, friendships and false reports of an evening.

The experiment boldly presented from good breeders Extra is produced by a little commercial appeal, both in duration, almost two and a half hours, which for stylistic. A film that will hardly be able to be seen in Italy, and that, even if seen, would welcome a few followers.

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The Festival closes with Celio Under the Blue, the (multi) colored documentary by Edward Winspeare

The documentary "Under the Celio Blue" ended the fourth edition of the Roman Empire. Dedicated to closing a small sociological phenomenon that is this asylum, Celio Blue. An almost idyllic place where masters of unconventional children of immigrants grow up, and also of mixed couples of Italian, a place where there are no classrooms, no desks or books. Teaching is something deeper, visceral, the Celio azure allows children to discover First of themselves, then they can happily compare with peers who come from all over the world.

Winspeare Edward returns to the documentary with a fresco that exudes humanity and love of life from the very earliest jokes, the constant 'lessons' of games and jokes have made a surprising model of integration and acceptance of different. All those who work there are the first to be fully integrated with the students, but especially with parents, in fact the work you do is first of all with them, which will be a fundamental part, almost picks, the path of children. An education-game start to the morning when the kids wake up and finish before falling asleep.

Romania, Morocco, Senegal, Armenia, Peru will meet in this tiny corner of the world in the center of Rome. A forgotten corner of the institutions, which now struggles with the cuts that the reform has laid down, constantly struggling with the lack of funds and building the structural flaws that make it more difficult.

path Winspeare incapperà also in the strong personality of the educators-teachers, which will be described with admiration epic, equipping them with an aura of personality that exudes a poetic awareness of the other incessantly. And during this beautiful road that is "Under the Blue Celio" The documentary will entertain more than expected, the public. You quickly lose count of the hilarious moments that a little 'kids, a little' teachers, thanks to the excellent choices Winspeare, put on it. The eyes of the frightened children from games, or perhaps stunned by this tsunami of vitality that asylum is for their young lives, carefree games of middle-aged men who have dedicated body and soul to the cause, have the background of stable an unconscious society, where more experiments like this are set aside for fear of an absolute perfection and suspects that causes really existed.

The documentary film is a scream of Puglia life that shatters the glass of a thin and not very multicultural hybrid societies still in the soul, a splash of rainbow in the clouds at all Italian, with tensions between religious and racial communities continue to sow ignorance and ignorance.